The soundtrack of Oblivion plays a significant role in its overall feel, yet it’s now shadowed by past controversies.

I haven’t revisited Oblivion in over 15 years, but the iconic tune “Reign of the Septims” instantly transports me back to the main menu of my Xbox 360. Tracks like the soft and nostalgic “Harvest Dawn” rekindle memories of leisurely exploration around the Imperial City, engaging in thievery. However, my current feelings towards Oblivion’s music are clouded by the allegations against composer Jeremy Soule regarding sexual misconduct.

When Bethesda hinted at the Oblivion Remastered, speculation grew regarding whether they would change Soule’s music in light of these claims. Ultimately, Bethesda decided against remixing or replacing the original music, leaving the soundtrack untouched.

In the wake of the allegations from 2019, Soule seemingly disappeared from public life, erasing his presence online and ceasing to produce new music. Inon Zur has filled the gap as Bethesda’s lead composer for their RPGs over the past decade, including titles like The Elder Scrolls Online and Fallout 4.

The absence of change to the soundtrack may appear strange, considering that many remastered titles opt for new musical arrangements. For instance, Halo 2 Anniversary swapped its original soundtrack for new compositions. Meanwhile, the remake of Until Dawn introduced a fresh score despite being released just nine years post the original.

Recent events emphasize the complex relationship between art and its creators. As I bear witness to the unsettling private lives of artists I once admired, I find myself asking: “Is my enjoyment of their work worth ignoring my ethical stance?”

While many continuity players have embraced the Oblivion Remastered, it’s crucial to remember the controversial backdrop against which this remaster exists. Will Bethesda’s decision impact player reception of the game, or will it simply be dismissed in the name of nostalgia and enjoyment?